tag:blogger.com,1999:blog-36564635442988417982012-02-16T18:18:22.649-08:00Catherine Redmondhttp://www.blogger.com/profile/14016570033713302844noreply@blogger.comBlogger11100tag:blogger.com,1999:blog-3656463544298841798.post-23263479675567030012008-05-22T08:17:00.000-07:002008-05-22T15:57:23.135-07:00<strong>Lives</strong> New York, NY<br /><br /><strong>E-Mail </strong><a href="mailto:CatherineRedmond@gmail.com">CatherineRedmond@gmail.com</a></li><br /><br /><strong>Born </strong> Jamestown, NY<br /><br /><strong>Education </strong> <br /><strong>1969-74</strong> Art Students League of New York<br /><strong>1962-65</strong> Harpur College, SUNY Binghamton, NY AB<br /><strong>1961-62</strong> Cornell University, Ithaca, NY<br /><br /><strong>Selected Solo Exhibitions</strong><br /><strong>2008</strong> Dean's Gallery, The Pratt Institute, Brooklyn, NY<br /><strong>2006</strong> President's Gallery, The Pratt Institute, Brooklyn, NY<br /><strong>2003</strong> David Findlay Jr. Fine Art, New York, NY<br /><strong>1999</strong> M B Modern, New York, NY<br /><strong>1997</strong> M B Modern, New York, NY<br /><strong>1992</strong> The Bonfoey Company, Cleveland, Ohio<br /><strong>1988</strong> Blue Mountain Gallery, New York, NY<br /><strong>1987</strong> The Butler Institute of American Art, Youngstown, Ohio<br /><br /><strong>Selected Group Exhibitions</strong><br /><strong>2005</strong> <em>Simcoe Winter</em>, Crossing Disciples, Schafler Gallery, Pratt Institute, Brooklyn, NY<br /><strong>2004</strong> <em>Thru the Ether</em>, an e-mail correspondence, Dean’s Gallery, Pratt Institute, Brooklyn, NY<br /><strong>2003</strong> <em>Value and Presence: Works on Paper</em>, List Gallery Swarthmore College, Swarthmore, PA<br />New York, NY, David Findlay, Jr., New York, NY July<br /><strong>2002</strong> <em>Points of View</em>, David Findlay, Jr., New York, NY December<br /><em>Kindred Spirits</em>, David Findlay Jr., New York, NY September<br /><strong>2001 </strong> <em>New York Day and Night</em>,[three-person]David Findlay Jr., New York, NY<br /><strong>2000</strong> <em>New York Perspectives II</em>, MB Modern, New York, NY<br /><strong>1998</strong> <em>Creations</em>, Elise Goodheart Fine Arts, Sag Harbor, NY<br /><em>New York Perspectives</em>, MB Modern, New York, NY<br />Coast to Coast, MD Modern, Houston, TX<br /><em>New York Collection</em>, Albright-Knox Gallery, Buffalo, NY<br /><strong>1997</strong> Paperworks, MB Modern, New York, NY<br /> Selections, Jerry Solomon Gallery, Los Angeles, CA<br /><strong>1996</strong> <em>Shared Passions</em>, MB Modern, New York, NY<br />Sacred Matters: Works on Paper, MB Modern, New York, NY<br />MB Modern Preview, Babcock Galleries, New York, NY<br /><em>Rediscovering the Landscape of the Americas</em>, Gerald Peters Gallery, Santa Fe, NM [catalogue]<br /><em>Flowers</em>, Chuck Levitan Gallery, New York, NY<br /><strong>1995</strong> East Meets West, Gallery Dong Ho, Seoul, Korea<br />Gallery Artists, Bonfoey Company, Cleveland, Ohio<br /><strong>1993-94</strong> <em>The Artist as Native: Reinventing Regionalism</em>, Babcock Galleries, New York, NY<br />Babcock Galleries, New York, NY<br />Middlebury College Museum of Art, Middlebury, Vermont<br />Albany Institute of History and Art, Albany, NY<br />Owensboro Museum of Fine Art, Owensboro, Kentucky<br />Curated by Alan Gussow, [monograph]<br /><strong>1992</strong> <em>The Contemporary American Landscape</em>, Erector Square Gallery, New Haven, CT<br />Town and Country, Mansfield Art Center, Mansfield, OH<br /><em>Urban;Suburban</em>, Bonfoey Company, Cleveland, OH<br />1991 <em>Windows</em>, Blue Mountain Gallery, New York, NY<br />Group Show, Blue Mountain Gallery, New York, NY<br /><strong>1990 </strong> <em>121 Wooster</em>, NYC, Contemporary Realist Gallery, San Francisco, CA<br /> Night, Blue Mountain Gallery, New York, NY<br /><strong>1989</strong> <em>Urbanology</em>, The Gallery, Marygrove College, Detroit, Michigan [catalogue]<br />Two-Person, Jan Cicero Gallery, Chicago, IL<br /><em>Urban Focus</em>, Cuyahoga Community College, Cleveland, OH<br /><strong>1988</strong> City, Jan Cicero Gallery, Chicago, IL<br />Governor’s Residence Art Collection1988-89, Ohio Arts Council, OH [catalogue]<br />Geometry and More, Great Northern Art Center, Cleveland, OH<br /><strong>1987</strong> Two-Person, Jan Cicero Gallery, Chicago, IL<br />In the Public Eye, SPACES, Cleveland, OH<br /><strong>1986-87</strong> <em>Biennial I</em>, Contemporary Art Center, Cincinnati, OH<br />Cleveland Institute of Art, Cleveland, OH<br />Herron Gallery, Indianapolis Center for Contemporary Art<br />Cranbrook Academy of Art Museum, Bloomfield Hills, MI<br />Curated by John Neff [catalogue]<br /><strong>1985</strong> <em>May Show</em>, Cleveland Museum of Art, curated by Sherman Lee<br /><br /><strong>Selected Collections</strong><br />Amerada Hess Corporation, New York, NY Progressive Insurance<br />American Society of Metals Reading Museum, Reading, PA<br />Art Students League of New York <br />Luther College, Decorah, IA<br />The Butler Institute of American Art<br />Museo Carmelo Fernandez, Venezuela<br />BP American World Headquarters<br />Citibank of New York <br />Northern Trust Bank, Chicago, IL<br />Cleveland Clinic Foundation<br />The Cleveland Indians<br />CM Alliance, Hartford, CT<br />The Dreyfus Corporation, New York, NY<br />Jones, Day, Reavis &amp; Pogue International Headquarters<br />Kaiser-Permanente<br /><br /><strong>Selected Commissions</strong><br /><strong>2007</strong> Private Collection, Stamford, CN<br /><strong>2005</strong> Private Collection, New York, NY<br /><strong>1992</strong> The Dreyfus Corporation, New York, NY<br /><strong>1987</strong> TransOhio Bank, Cleveland, OH<br /><strong>1986</strong> Cardinal Federal Savings Bank, Cleveland, OH<br /><strong>1985</strong> Cleveland Clinic Foundation, Cleveland, OH<br /><br /><strong>Bibliography</strong><br /><strong>2006</strong> Dantzic, Cynthia Maris, 100 New York Painters, Schiffer Publishing Company <br /><strong>2004</strong> Tannous, David, “Everything to See, An Artist’s Life in the City” David Findlay Jr. Fine Art, New York, NY, pp. 7-8, 11-12<br /><strong>1999</strong> Willard, Christopher, “Creating Contrasts with Conte Crayons,” American Artist, February 1999, p.14<br /><strong>1999</strong> Who’s Who in American art<br /><strong>1998</strong> Braff, Phyllis, “3 Artists and a Solid View of Individual Directions,” The New York Times, Sunday April 19, 1998, p.22<br /><strong>1998</strong> Driscoll, John, The Artist and the American Landscape, First Glance Books, Inc., Cobb, California, p.27, p.29.<br /><strong>1997</strong> McCutchan, Ann, “Enjoy the View,” Art &amp; Antiques, Summer, pp.43-48<br />Who’s Who in American Art<br /><strong>1996</strong> Gussow, Alan, Rediscovering the Landscape of the Americas, p16, p105<br /><strong>1993</strong> Gussow, Alan, The Artist as Native: Reinventing Regionalism, Pomegranate Artbooks, Inc Rohnert Park, California, p11, pp36-37<br />Litt, Steve, “Redmond: A case of less being better,” The Cleveland Plain Dealer, November 18, 1991, p.5-F<br /><strong>1991</strong> Zukin, Sharon, Landscapes of Power, University of California Press, Berkeley, p. 104<br /><strong>1988</strong> Campbell, Lawrence, “Catherine Redmond at Blue Mountain”, Art in America, November, 1982, p. 182<br /> Shinn, Dorothy, “Two Butler Exhibits Rich with Hidden Wonder,” The Akron Beacon-Journal Sunday January 3<br /> Sparks, Amy, “Catherine Redmond: Ohio Observed,” Dialogue, July/August, p. 49<br />Redmond, Catherine, et al. “Reflections on a Decade,” Dialogue Tenth Anniversary Issue September/October 1988 p.22<br /><strong>1987</strong> Sparks, Amy, “Art of the City,” Cleveland Edition, November 19, 1987, p.1, pp. 6-7<br /><strong>1987 </strong> Stickney, John “Catherine Redmond,” New Art Examiner, February, p. 58<br /><strong>1987 </strong> Welish, Marjorie, Citiscape By Degrees: The Paintings of Catherine Redmond,” catalogue essay Ohio Observed: The City as Subject,” The Butler Institute of American Art, pp. 5-8<br />Zona, Louis A. comment, “Ohio Observed: The City as Subject,” The Butler Institute of American Art, pp. 5-6<br /><strong>1986</strong> Cullinan, Helen, “Flats Forte for a Winner,” The Cleveland Plain Dealer, October 10<br /><strong>1980</strong> Billingsley, Mike, Occular Light,” The Vermont Vanguard Press, September 19<br /><br /><strong>Grants</strong><br /><strong>2003</strong> Faculty Development Award, Pratt Institute<br /><strong>2001</strong> Dean’s Travel Grant, Pratt Institute<br /><strong>1987</strong> Lily Faculty Incentive Grant, Cleveland Institute of Art<br /><strong>1983</strong> NEA Individual Artist Grant, Vermont Council on the Arts<br /><strong>1982 </strong> Friends of Music Grant, Burlington, VT<br /><strong>1972</strong> Kenneth Hayes Miller Memorial Merit Scholarship, Art Students League of New York<div class="blogger-post-footer"><img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/3656463544298841798-2326347967556703001?l=catherineredmondbio.blogspot.com' alt='' /></div>Catherine Redmondhttp://www.blogger.com/profile/14016570033713302844noreply@blogger.com0